TALK EXCHANGE 2: On Performance and Artist Development Platform in Japan: Asian Performing Arts Farm (APAF) and Filipino artists participation

From the Komunidad X website:

The Asian Performing Arts Farm has provided platform for development of next generation artists in the region. Filipino artists have been selected to join its laboratory, exhibition and festival platforms for the past few years creating opportunities for international collaboration and co-creation. Join us as we premiere performances co-created in Japan by Filipino directors with an international team of collaborators via kXchange.Engage in our Talk Exchange via Zoom this Saturday Dec 5, 2020 to get to know about the artistic processes and challenges of intercultural collaborations and what discoveries and opportunities arise in these platforms.

This is Part 2 of 3 of the UTSUROI Live Archives Talk Exchange program. We will have Japanese translations and talk will mostly be in English (with provision for live captioning).

TALK EXCHANGE 2: On Performance and Artist Development Platform in Japan: Asian Performing Arts Farm (APAF) and Filipino artists participation.

Dec 5, 2020 (Saturday)14:00 Philippine Standard Time. Live on Zoom(The program will run for 2.5 hours)Registration is Free: bit.ly/utsuroievent2 (or scan the QR on the poster).

GUESTS: TADA Junnosuke (pre-recorded Interview video), Tuxqs Rutaquio, Issa Manalo, Lopez, James Harvey Estrada, Jared Jonathan Luna, Abner Delina

Moderated by: Olive Nieto

Asian Performing Arts Farm (APAF) is a development initiative under the Tokyo Festival that offers opportunities for artists in Asia to elevate their creative practice through mutual exchange, and expand their presence beyond national and cultural boundaries. The initiative was launched in 2002 as the Asian Performing Arts Festival with a view to promoting culture through artistic exchange between Asian regions. In 2016, it changed its name to “Asian Performing Arts Forum,” serving as a venue that brings young artists together. In 2018, Junnosuke Tada assumed the role of Director, taking over from former-Producer Satoshi Miyagi, who led the program for ten years. In 2019, APAF underwent a major remodeling, changing “forum” to “farm,” with the aim of providing “rich soil” for the next generation of artists to grow in an increasingly globalized age. The new logo, redesigned for 2020, adopts a free and flowing design.

ADSA 2020: MonoVlog 14

MonoVlog 14 (in performance-lecture-MonoVlog format) premiere at the Australasian Association for Theatre, Drama and Performance Studies (ADSA) Conference 2020: Acts of Gathering.

Grateful for the wonderful insights from all our participants, moderator Bryoni Trezise, and co-panelist Alex Talamo.

Jonathan Bollen and the ADSA committee, thank you for your work and for answering all my questions re. ADSA since March.

Forever grateful to Layeta Pinzon Bucoy for being so patient with our process (no internet, no camera, no stagehands, no motivation, 5-10 hours of phone call every month, during the lockdown and pandemic, etc.).

Shoutout to our MonoVlog followers and our ka-MonoVlog (Sining Banwa, Tanghalang Pilipino, Icebag Online)! Mabuhay kayo!

P.S. Layeta was my CO-ACTOR in this MonoVlog. Hahahaha! Iba siya!

P.P.S. Paano ko nalimot sa post na ito ang dahilan kung bakit ko kinarir na aralin ito??! Salamat, Oscar Tantoco Serquiña! I love you forever, classmate!!!!

#RipplesWorld Salubong Rituals

21 November 2020

#ripplesworld

interculturalroots.org/ripples

Day 252 of Community Quarantine in the Philippines

Separated by glass, we are slowly reshaping our salubong rituals (staying up until midnight to welcome a new day).

New gestures are being born every day to say “I love you”.

At midnight, I offer you glass greeting cards. Yakap (embrace in Filipino)!

#RipplesWorld Sunset: Physical Distancing Relationships

7 November 2020

#ripplesworld

http://www.ripplesworld.com

interculturalroots.org/ripples

When I was 4, I would record myself singing and telling stories on cassette tapes and my mother would send them to our loved ones abroad. She said that those tapes would make our families happy.

When I got a job, I would save up money to visit my siblings and cousins, and their children abroad. This year, I saved up to experience 3 summers: one in Manila, one in California, and one in Melbourne. Unfortunately, those family reunions didn’t happen.

With the travel ban restrictions due to the pandemic, my siblings and cousins would just send me videos of my niblings. On weekends at 5:00 a.m., my niblings would call to play and chat with me online.

Time zones are making my body clock crazy but my niblings are adorable. I savor these moments when they still need me and think that I’m the cool aunt.

Sometimes I worry that they would forget me. Silly me. I still remember Tita Bengga and Uncle Cris, and every little gift they gave me. #ripplesworld

Elizabeth De Roza’s “Creating an Embodied Multi-dimensional Performance Platform”

Just attended Elizabeth De Roza’s “Creating an Embodied Multi-dimensional Performance Platform” via the UPD MA (Theatre Arts) Program’s ArtistTalk.

Thinking about future bodies, pixelated bodies, network-lag bodies, Schrödinger’s cat bodies (when you turn off your camera during Zoom; are you dead/alive?), disconnected bodies, reconnecting bodies, Zoom waiting room bodies, are-you-wearing-shorts-in-your-zoom-meeting bodies, machine-readable bodies, bodies and data, shake-body-body-dancer.

P.S. Next #ripplesworld is on 7 November. Join us!

#RipplesWorld Noon Rituals:

PH Remote Learning

24 October 2020

#ripplesworld

http://www.ripplesworld.com

https://interculturalroots.org/ripples

Schools and higher education institutions in the Philippines have implemented remote learning as the response to the community quarantine due to the global health crisis. Understandably, this has brought about challenges to the different sectors – students, educators, and administrators. The drastic and radical changes have also brought in new concepts that everyone had to absorb at a limited time. As in most communities, whenever a new concept is introduced, the tendency is to borrow the term that represents it. New concepts are packaged by coinage (neologisms, e.g., Zoomustahan) or existing terms re-contextualized according to the needs of the new concept (e.g., share screen). Adapting does not necessarily mean that people automatically conform to these changes; at times, they come up with strategies to cope temporarily and after adjusting, come face-to-face with these challenges, expressed by phrases that call to more inclusive and grounded solutions.

Hinga—breathe

Pahinga—rest

TATAG UP—Tatag University of the Philippines (UP) is a play of Tatak-UP or stamped with the UP brand. Tatag means “resilient, firm, determined”, a call for the University constituents to respond to the growing needs of the community amid the crisis due to the pandemic.

Acad Freeze—is a call for an academic freeze to give ample time for students and teachers to attend to immediate needs in the time of a global health crisis.

#NoStudentLeftBehind–is a call for access to equal resources to implement remote learning.

Solusyong Medikal, Hindi Militar—”information, not force; medical and financial support, not guns”

Malasakit—compassion

The Team:

Olive Nieto is a performer. She is currently an assistant professor at the Department of Speech Communication and Theatre Arts, University of the Philippines Diliman. She is one of the seven Initiating Artists for Ripples.

Jem R. Javier is an assistant professor at the Department of Linguistics, College of Social Sciences and Philosophy, University of the Philippines Diliman. His research interests include Philippine structural linguistics, Bahasa Indonesia/Malaysia, and culture studies.

Thea Tolentino has over 14 years of experience as a music educator and preschool teacher in the Philippines and abroad. She graduated with a Bachelor’s degree in Music Education at the U.P College of Music, Diliman. She is a classically trained guitarist and has also composed music for various educational and media projects. Thea is currently a Master’s of Music Therapy student at the University of Melbourne’s Faculty of Fine Arts and Music. After graduating, she intends to bring the practice home to the Philippines with the focus of using music therapy to support mental health goals.

Camilo De Guzman is a 4th Year BA Theatre Arts student from UP Diliman. He has been involved in various productions under Dulaang UP during his time in the program. He is also part of different advocacy and leadership organizations in the university as well alongside serving in the student council in his college.

Video Contributors from UP Diliman, Ateneo de Manila University, and MINT College:

PIA CRUZ
VJ PARREÑO
SINA JOSE
ALY LOVERES
HAZEL TOQUE
MAMEL PALAGANAS
ALLELIE BOBIS
CJ CORREA
DENISE MILARION
RICA ALCAZAR
BLESSY DELFIN
ARCEL QUEZADA
DANICAH CHAVES
DAPHENE GIGA
LISSE DE VERA
MARGA ESQUILLO
PETE LAPUT
ETHAN VALENCIA
CZARINA ENDAYA
SOPHIA QUIBOL
CRIS ZANDRO RAMON
GEMIMA AURELLANO
KAYLA HUBILLA
LYNETTE MANAAY
RJ MACUTAY
KONNI DELOS REYES
GAB PEBENITO
SILVER RACCA
KRIS MIRANDA
DYASTIN ADARLO
JESSY SO
ELA FIGURA
JEMAY BRAVO
REGINA BUCO
DAVID ESGUERRA
ROBIN TRABALLO
KYLE LAPUS
FRANCES CHAN
JAEL GONZALES
ANNA CUBACUB
RONI FORTUNA
JANNA CORTES
CJ BARIMBAO
FRANCES FERNANDEZ
BELLE GINEZ
LUCKY SIMPLINA
ANJ SALUDES
JOHNNY MAGLINAO
KYANNA VILLALAUREL

Registration for the ADSA Conference 2020: Acts of Gathering

Layeta P. Bucoy and I will be presenting the performance-lecture MonoVlog, an Emergen(t)cy Digital Performance.

My long-time friends and colleagues, and a former student will be presenting their papers too:

Sir Anril P. Tiatco’s Performance, Devotion, Gender: Figuring the Peñafrancia in the Bicol Region, Philippines.

Bryan L. Viray’s The Bati as movement of sacred gathering in Salubong.

Ian Ramirez’s Remembering the Utopian Performativity in Today x Future in Manila.

UP Diliman’s CAL-DSCTA’s international partners will be presenting their work too:

Jonathan Bollen’s ‘Glittering in the dark’: audience appeal and the design of attraction at the Stardust, Las Vegas, 1959.

Felipe Cervera, Theron Schmidt, Hannah Schwadron’s Planetary performance pedagogies in (and hopefully after) the pandemic.

Registration is FREE. Click here.

Dr. Diego S. Maranan’s “I Sing the Body Electric: Technologies of and for the Body”

Just attended our MA (Theatre Arts) Program’s ArtisTalk 2020 featuring Dr. Diego S. Maranan’s “I Sing the Body Electric: Technologies of and for the Body”.

Got additional ideas for my module next sem for my performance classes and for my current research and creative work. Arts x Science talaga ang way! Lezzggooo!

Palaban din ang MA program sa resource persons ah!! Congrats to our conveners Asst. Prof. Bryan L. Viray and Prof. Josefina F. Estrella.

P. S. Nakaw na kuha at siyempre obvious naman sino ang photographer. Bwahahaha!

APAF Ecosystem

APAF PH with Landi on the Side Mafia 2012-2020

Kulang pa kami. Marami ring nag-APAF na kasing landi namin.

From 2012 to 2019, PH artists were flown to Japan to collaborate with ASEAN artists in APAF events through the generous support of the Japan Foundation Manila. Swerte to have created performances and engaged with communities in the heart of Ikebukuro, and with the view of Mt. Fuji when we were in Shizuoka. Great times.

To continue this project of international collaboration, UP Diliman partnered with the Japan Foundation Manila to create the 2019 international conference, “Rhetoric of Creative Partnership: Conversations on Cross-cultural Artistic Exchanges” which featured presentations and performances of artists from APAF 2018 and 2019.

This year, JFM has given us another platform to continue the work that we have started in Japan to share our reflections on the work, and new approaches to theatre and performance in the time of global health crisis. We are excited to welcome Komunidad X who will be our guide in this platform as the official partner of JFM in the Philippines.

Double swerte because my paper for IFTR conference 2021 in Ireland is about international collaboration specifically discussing APAF collaboration. Ang galing ng ecosystem ano? Sanga-sanga lang. Pag nanghingi ka ng data, may magbibigay na generous na mga tao.

Hindi lahat ay may option na maghintay ng vaccine para mabuhay sa disiplina natin. This is the work so werk werk werk together tayo.