Anything about teaching
Superproxy time! Honored to share the recalibration of our undergraduate theatre program, the collaborations of the DSCTA, and my 15-month experience of creating and reshaping the MonoVlog with Layeta Pinzon Bucoy. Kahilera ang mga bigatin sa 18 June. Newbie po me. Salamat po, Dean Ami Ramolete sa opportunity.
We created a Pinoy panel entitled “Surviving Critical Conditions: Filipinos Putting Up a Fight amidst Pandemonium over a Global Pandemic” for the Inter-Asia Cultural Studies Society Conference 2021: Culture in the Pandemic Age in Singapore.
Against All Odds: Philippine Performances of Lives in Lockdown during a Global Pandemic by Oscar Tantoco Serquiña, Jr.
MonoVlog as a Protest from Home Movement by Olivia Kristine D. Nieto
#MassTestingNowPH as Site of Digital Citizenship and Deliberative Democracy: The New Normal for Philippine Social Movements by Charles Erize P. Ladia
Philippine Protestant churches’ Rhetorical Performances in Response to Covid-19 by Junesse Crisostomo
Grateful for the opportunity to work with colleagues from the UP Department of Speech Communication and Theatre Arts (DSCTA). Coincidentally, we are all former fellows of the Asian Graduate Student Fellowship at the Asia Research Institute (ARI) of the National University of Singapore (NUS). Lahat din kami fan ng bakuna. Akalain mo yun?
Salamat, Oscar Tantoco Serquiña for leading this panel! Salamat din, Charles Erize Ladia and Junesse Crisostomo sa comments, tawanan, cramming, chikahan, at health tips. Buy 1 take 3 po kami sa publication sana. Sana rin magtuluy-tuloy at lumaki pa ang ganitong writing group sa department.
The deadline for registration is on 16 July 2021. You may register here: https://bit.ly/3gDmlRv
I commissioned artist Malayo Pa Ang Umaga (fan niya ko dati pa!) to interpret MananangGAL GADOT, the resident mananaggal acting titser and MonoVlogger in Kumu. Di ba pag sa Zoom mukha tayo lahat manananggal performers? Ito yung character na nagtuturo kung paano gamitin ang buong body online. Grabe yung detalye ng bituka, monoVlogger talaga. Si Alejandro (bungo) ay may special appearance din. Hahaha. Ang manager ko po sa Kumu ay si Dr. Layeta Pinzon Bucoy. Gusto ko lang banggitin kasi siya talaga nagturo sakin. Paki tag si Sir Budjette, baka naman pwede isama sa Trese. Nahihiya akong i-tag siya kahit FB friends kami. Haha. Paki tag din si Gal Gadot.
ONLINE CLASSROOM SERIES. This episode is about my week 2 of teaching performance via Zoom. I talk about how we turn our personal spaces into our own theater at home, how we make sense of our limited and liminal spaces, and how we use available technology in performance making.
Where to listen:
Spotify: https://spoti.fi/2QYYoev
Apple: https://apple.co/3tjtLNT
Google: https://bit.ly/2R34I4u
Multiple setups for classes and for live streaming. May quick changes at props din sa Kumu.
I will be sharing the journey of the MonoVlog from Facebook Live to Kumu. Hey, Layeta Pinzon Bucoy!
Will be sharing how I shape my content using my background as a performance maker and an assistant professor in UP Diliman.
Masaya na ang moderator ay ang aking BFF na si Eric Villanueva Dela Cruz. JV Can will talk about his journey to bronze experience and the monetization side of Kumu. Emmanuel Feliciano will talk about content-making and #edutainment
So excited for this! Will talk about MANANANGGAL ACTING. Tagal ko na gusto makasama si Aldo Glenn Vencilao at siyempre si JV Can (na til 6am ko naman lagi kausap). Salamat, Makiyow!Kitakits sa Kumu ni Makiyow!
mag-1 year na sa pandemya na gumagawa ng digital performances with Layeta Pinzon Bucoy. Gusto mo yung parang Lisa Frank ang sponsor nitong “annual report”?And yes, tulad po ng acting journal.. may performance making journ(al/ey) po ako. Mana pala ako kay Lola Laring na mahilig isulat ang sinasabi ni Bro. Mike sa El Shaddai radio.
Live streaming using OBS and FB Live. So proud of myself. Maybe I’ll use my ACNH character during synchronous classes. 😂
How lovely to be with this company to talk about online performances, design thinking, and the future of theatre. Salamat, Charles Yee for making this happen.
Olive Nieto 